Movie

Between Eleven and Midnight

1949 · 92 min

A moody, twisty French noir where identity blur and shadowy Paris alleys keep you leaning in, savoring the elegant unease.

Overview: Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.
How it feels: Tense, dark, melancholic and cynical. Measured and needs your attention.
About: Identity, deception, crime, mystery
Content: Mild violence, gore, sexual content and language.
Note: Written by AI, so it can be wrong. Full breakdown

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Written by AI. It can be wrong.

Full breakdown

Tone: tensestrength 2 of 3
darkstrength 2 of 3
melancholicstrength 1 of 3
cynicalstrength 1 of 3
Pacing: measured, 2 of 4, from slow-burn to relentless
Attention: engaged, 3 of 4, from background-friendly to demanding
Themes: identity
deception
crime
mystery
betrayal
Places: big city
Era: period
Audience: adult
Form: twist ending
Content intensity: Gore mild
Language mild
Violence mild
Sex mild