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Nothing But Lies

1920 · 60 min

A brisk, light-hearted silent comedy of errors with a satirical edge, offering gentle amusement and a window into 1920s office life.

Overview
George Cross, a junior partner in the advertising agency of Nigh and Cross, goes to his office one evening to get a plate for a newspaper and surprises Allan Nigh, his partner's son, who has been distributing a leaflet exposing the lies of the advertising firm. Rosie, a member of the "Truth Society" to which Allan belongs, is hiding in the next room. George sends Allan to the newspaper office and then discovers Rosie. Shortly thereafter, Nigh and his daughter Ann, who is also Allan's sweetheart, arrive and George lies his way out of a compromising situation. Soon after, a detective arrives to investigate a front-page exposé on the circulars that Allan has written. When the advertisers realize that the exposé is actually the best campaign ever conceived, the supposed detective offers Allan a tremendous salary to write ads for him, Rosie reveals herself as a reporter from the Journal and Allan and Ann reconcile.
How it feels
Light, satirical, romantic and whimsical. Brisk and needs your attention.
About
Deception, media, love, work
Content
No violence, gore, sexual content or swearing.
Note
Written by AI, so it can be wrong. Full breakdown

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How it feels

Written by AI. It can be wrong.

Full breakdown
Tone
  • lightstrength 2 of 3
  • satiricalstrength 2 of 3
  • romanticstrength 1 of 3
  • whimsicalstrength 1 of 3
Pacing
brisk, 3 of 4, from slow-burn to relentless
Attention
engaged, 3 of 4, from background-friendly to demanding
Era
period
Audience
adult
Form
None
Content intensity
  • Gore none
  • Language none
  • Violence none
  • Sex none
All scales, 0 to 10
Scales, 0 to 10
ScaleValue0 to 10
Action2
Horror0
Humour5
Realism6
Romance4
Tension3
Darkness2
Complexity4
Emotional weight3

Cast

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