Take the Money and Run
A deadpan mockumentary that turns a hapless criminal's life into a series of absurd, laugh-out-loud mishaps.
- About
- 1969 film by Woody Allen
- Class
- Movie
- Year
- 1969
- Runtime
- 85 min
A deadpan mockumentary that turns a hapless criminal's life into a series of absurd, laugh-out-loud mishaps.
Written by AI. It can be wrong.
| Scale | Value | 0 to 10 |
|---|---|---|
| Action | 3 | |
| Horror | 0 | |
| Humour | 9 | |
| Realism | 4 | |
| Romance | 3 | |
| Tension | 2 | |
| Darkness | 2 | |
| Complexity | 3 | |
| Emotional weight | 2 |
From Take the Money and Run
Same director: Woody Allen · Absurd, satirical, brisk · about identity and love · nonlinear
A silly, fast-paced sci-fi romp full of slapstick and witty one-liners, light and easy to enjoy.
From Take the Money and Run
Same creator: Woody Allen · Absurd, satirical, brisk · about identity and love · mockumentary
A witty, fast-paced mockumentary that blends vintage newsreel style with absurd comedy, making you chuckle at the clever satire while marvelling at the technical trickery.
From Take the Money and Run
Satirical, light · about crime
A breezy, playful caper that charms with colorful characters and a clever heist, keeping you amused without demanding much.
From Take the Money and Run
Same writer: Mickey Rose · Absurd, satirical, brisk · about identity and love · nonlinear
A rapid-fire, silly comedy full of slapstick and absurd gags that keeps you laughing at its chaotic energy.
From Take the Money and Run
Same director: Woody Allen · Light, whimsical · about identity and love
A breezy, whimsical musical romance that glides through charming urban settings with wit and toe-tapping numbers.
From Take the Money and Run
Absurd, satirical, brisk · about crime
A breezy, joke-packed caper where slapstick chaos and silly accents keep you grinning from start to finish.
From Take the Money and Run
Same director: Woody Allen · Absurd, satirical, brisk · about love · nonlinear
A giddy, talky romp through war and philosophy, stuffed with one-liners and mock-serious debates that keep you grinning even as death looms.
From Take the Money and Run
Same writer: Woody Allen · Absurd, satirical, brisk · about identity and love
A chaotic, joke-packed romp with cartoonish chases and absurd situations that keeps you smiling at its sheer silliness.
From Take the Money and Run
Satirical, light · about crime and survival
A gentle, witty caper where the pleasure comes from watching lovable losers bumble through a heist with warmth and quiet melancholy.
From Take the Money and Run
Same director: Woody Allen · Absurd, satirical, brisk · about identity and family · nonlinear
A witty, self-lacerating comedy that jumps between reality and fiction, making you laugh while feeling the sting of a life turned into material.
From Take the Money and Run
Same director: Woody Allen · Light, whimsical, brisk · about identity and love · nonlinear
A breezy, sunlit romp through Rome with playful vignettes that charm and amuse without demanding much.
From Take the Money and Run
Same director: Woody Allen · Light, whimsical · about identity and love
A breezy, old-fashioned caper with witty banter and a playful hypnotism twist, easy to watch and mildly amusing.
From Take the Money and Run
Absurd, satirical, brisk · about crime and family
A breezy, goofy caper that turns corporate collapse into slapstick, with broad gags and a smug, crowd-pleasing sense of payback.
From Take the Money and Run
Absurd, satirical, brisk · about identity and love
A playful, gag-filled romp where silly situations escalate into slapstick chases and gentle romance, always light and good-natured.
From Take the Money and Run
Same director: Woody Allen · Satirical, light, brisk · about crime
A witty, fast-talking backstage comedy where art and crime collide, making you laugh while pondering creative compromise.
From Take the Money and Run
Absurd, satirical, brisk · about crime and love
A relentless barrage of sight gags and silly set pieces that keeps you grinning even as the plot barely holds together.
From Take the Money and Run
Absurd, light, brisk · about identity and family
A breezy, silly comedy full of slapstick disasters and awkward charm, easy to watch and often laugh-out-loud funny.
From Take the Money and Run
Satirical, light, brisk · about crime
A cheeky, breezy caper with a swinging-sixties vibe, playful banter, and a climactic car chase that's pure joy.
From Take the Money and Run
Absurd, light, brisk · about crime and love
Silly, good-natured slapstick that coasts on two lovable idiots bumbling through one absurd set piece after another.
From Take the Money and Run
Light, whimsical · about crime and love
A breezy, elegant caper that glides on charm, wit and Parisian glamour, keeping stakes light and the mood playful throughout.
From Take the Money and Run
Absurd, satirical · about crime
A quirky, darkly comic caper with eccentric characters and a slow-building sense of absurdity, punctuated by sudden violence.
From Take the Money and Run
Light, brisk · about identity and love
A breezy, big-hearted courtroom comedy where culture-clash banter and underdog charm keep the mood light and the laughs steady.
From Take the Money and Run
Absurd, satirical, brisk · about crime and family
A gleefully silly caper full of slapstick, catchy tunes, and deadpan Soviet absurdity that keeps you grinning.
From Take the Money and Run
Same director: Woody Allen · Satirical · about identity and love · nonlinear
A wry, wistful stroll through a failed romance, full of witty digressions and bittersweet self-examination that leaves a gentle ache.