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What She Said: The Art of Pauline Kael

2019 · 98 min

A lively, affectionate portrait that makes you want to argue about movies, full of archival clips and talking heads with real personality.

Directed by
Rob Garver
Genres
Documentary
Overview
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
How it feels
Warm, earnest and satirical. Measured and needs your attention.
About
Art, media, identity, gender
Content
Mild sexual content and language. No violence or gore.
Note
Written by AI, so it can be wrong. Full breakdown

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Directed by
Rob Garver
Genres
Documentary
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How it feels

Written by AI. It can be wrong.

Full breakdown
Tone
  • warmstrength 2 of 3
  • earneststrength 2 of 3
  • satiricalstrength 1 of 3
Pacing
measured, 2 of 4, from slow-burn to relentless
Attention
engaged, 3 of 4, from background-friendly to demanding
Places
Era
period
Audience
adult
Content intensity
  • Gore none
  • Language mild
  • Violence none
  • Sex mild
All scales, 0 to 10
Scales, 0 to 10
ScaleValue0 to 10
Action1
Horror0
Humour5
Realism9
Romance1
Tension3
Darkness2
Complexity5
Emotional weight5

Cast

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