Short film

Rohfilm
1968 · 20 min
A hypnotic, abrasive assault on the senses that rewards patient viewers with a tactile, abstract experience.
- Directed by
- Birgit Hein, Wilhelm Hein
- Genres
- Drama
- Overview
- One of the most important structural films of the period, Rohfilm demonstrates a radical anti-representational approach, destroying the figurative image and bringing attention back to the ‘raw’ photographic material, particularly its physical form. Resisting a stable reference point, the film is a multi-layered onslaught of blurred impressions, shifting surfaces and grating sounds that activates a form of sensuous viewing. In the making of the film, the Heins employed just about every technique of defamiliarization, including direct intervention on the surface of the film strip, rephotography, remediation, and different kinds of mechanical interruption and destruction. It is a striking example of a truly handmade approach. (Kim Knowles)
- How it feels
- Eerie, dark and absurd. Slow-burning and demanding.
- About
- Art, obsession, madness
- Content
- No violence, gore, sexual content or swearing.
- Note
- Written by AI, so it can be wrong. Full breakdown
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- Directed by
- Birgit Hein, Wilhelm Hein
- Genres
- Drama