Short film

Breakaway
1967 · 6 min
A giddy, kinetic burst of dance and camera play that loops back on itself, playful and hypnotic rather than story-driven.
- Directed by
- Bruce Conner
- Genres
- Music
- Starring
- Toni Basil
- Overview
- Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema
- How it feels
- Whimsical, light and earnest. Brisk and needs your attention.
- About
- Art, music, identity, freedom
- Content
- Mild sexual content. No violence, gore or swearing.
- Note
- Written by AI, so it can be wrong. Full breakdown
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- Directed by
- Bruce Conner
- Genres
- Music
- Starring
- Toni Basil

