Pompeo Magno

A lush, unhurried backstage portrait of operatic ambition, letting baroque spectacle and fierce artistry seduce you at a stately pace.

Directed by

Max Emanuel Cenčić

Overview

Baroque opera is a battlefield once more. Just as 17th-century Venice thrived on rivalry, dazzle and excess, today’s Early Music scene brims with competition. Into this arena, the Bayreuth Baroque Opera Festival — founded only in 2020 — has stormed with astonishing speed, staking its claim through neglected Italian gems and the intoxicating intimacy of the UNESCO-listed Margravial Opera House. No dry concepts here: Bayreuth trades in beauty, detail, and theatrical seduction. This year’s jewel, Cavalli’s Pompeo Magno (1666), became both a Venetian centrepiece and a specialist’s odyssey under conductor Leonardo García-Alarcón.

How it feels

Earnest, warm and romantic. Measured and needs your attention.

About

Art, ambition, music, work

Content

No violence, gore, sexual content or swearing.

Note

Written by AI, so it can be wrong. Full breakdown

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